Here we are sweeping for the Bishop of Chelmsford again, and on this occasion it was the vicarage at Margaretting near Ingatestone, close to Chelmsford. We have swept the vicarage chimney on around four or five occasions now and are quite familiar with it. To be honest it is a really quick job, an open fire with a modern lined chimney that is swept regularly (by me), and that only has occasional use. So on this occasion as we didn’t have a particularly busy day and the job only took a small amount of time, we could spend a few moments examining what is a beautiful medieval church. A church that I would say is architecturally classically Essex with its wooden bell cote and spire.

The church is grade two star listed and the listed buildings website provides a great deal of information about the history and architecture of the building: A flint and stone rubble church of Norman origin but almost completely rebuilt in the early-mid C15, with a timber-framed, weatherboarded and shingled west tower with a broach spire. The roofs to the nave, chancel and aisle are tiled. The chancel was altered in the C16 and the church was much altered by restoration in 1877. A portion of the north wall to the east of the north porch is of Norman work and incorporates Roman tiles. The most important features of the church are the C15 west tower and north porch. The tower is supported on 10 posts with shores and cross bracing (of, Churches at Stock, Navestock and Blackmore, Essex). The lower stage is faced in vertical weatherboarding and has a tiled, hipped, roof. The upper stage and broach spire is shingled. The north porch has cusped
bargeboards and traceried side lights. The doorway has a 4-centred arch with traceried spandrels and the oak door is of the same period, partly renewed. The king post roof to the nave is C15 and the chancel roof is C16. The chancel has a Tree of Jesse window which is made up of C15 Flemish glass, fragments from earlier windows built into its present position in the restoration of 1877.

Fittings include a C15 octagonal font carved with emblems and a grotesque head, a carved alabaster wall monument to John Tanfield of Coptfold Hall (dated 1625), A C16 brass of Robert Sedge, his wife and children, of “Shenfield” (now known as “Killigrews”) and the lower part of a C15 rood screen. The 4 bells in the belfry are all of pre-Reformation date.